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This composite manuscript is famous for its second part, which contains the earliest copy of the Chanson de Roland. Written in the Anglo-Norman dialect of French, this copy was probably produced in England in the second quarter of the twelfth century, but its medieval provenance remains tantalisingly opaque. The first part of the manuscript, containing a Latin translation of Plato's Timaeus, was owned by Oseney Abbey from the thirteenth century: that the abbey also owned the chanson de geste is possible but unproven.

MS. Digby 23

Bodleian Libraries, University of Oxford

Details

This item is described in 2 online catalogues.?

For the main catalogue entry, see: Medieval manuscripts in Oxford libraries

Other descriptions: Bodleian Archives & Manuscripts

Description

From Medieval manuscripts in Oxford libraries

This is an extract only. For more information, see the catalogue record in Medieval manuscripts in Oxford libraries.

Medieval manuscripts in Oxford libraries contains descriptions of all known Western medieval manuscripts held in the Bodleian Libraries, and of medieval manuscripts in selected Oxford colleges. Learn more.

Title

This composite manuscript is famous for its second part, which contains the earliest copy of the Chanson de Roland. Written in the Anglo-Norman dialect of French, this copy was probably produced in England in the second quarter of the twelfth century, but its medieval provenance remains tantalisingly opaque. The first part of the manuscript, containing a Latin translation of Plato's Timaeus, was owned by Oseney Abbey from the thirteenth century: that the abbey also owned the chanson de geste is possible but unproven.

Shelfmark

MS. Digby 23

Date

12th century, second quarter (?)

12th century, middle

Language

Anglo-Norman

Middle English (1100-1500)

Latin

Contents

MS. Digby 23 – Part 1
(fols. 1v–2r) Arguments for the Assumption of the Virgin
(fol. 2r) Ex libris of Osney abbey and pressmarks (see Provenance), with title 'Thymeus platonis', 13th century, second half (the pressmarks later; for dates see MLGB3).
(fol. 2v) Incipit: Nulla res potest simul esse eadem festinata et examinata
(fol. 3r) Plato Timaeus
(fols. 3r–4r) Incipit: Isocrates in exortacionibus suis
(fols. 4v–51r) Rubric: (fol. 30v) Explicit liber primus incipit secundus
Three layers of gloss:
Incipit: (fol. 3r) In quodam libro in quo exortabatur homines ad uirtutem
Marginal and interlinear glosses in several thirteenth-century hands.
Less frequent marginal and interlinear glosses in anglicana script (14th century, first half); also responsible for adding an incomplete (?) series of chapter numbers reflecting a division into three books of respectively 9, 15 and 17 chapters (book 1 in the original organization being divided into two books, the second starting at 'Est igitur (27d, fol. 18v)). For this division of the text see P. E. Dutton, 'Material remains of the study of the Timaeus in the later middle ages', in L'enseignement de la philosophie au XIIIe siècle: autour du "Guide de l'étudiant" du ms. Ripoll 109 ; actes du colloque international (1997), pp. 224–5.
(fols. 51v–55v) The final quire is filled up with diagrams and notes, from or related to Calcidius’ Commentary on the Timaeus, Macrobius, and Martianus Capella.
(fol. 51v) Incipit: Si uis reperire quadraturam in circulo
(fol. 52r) Diagrams including planetary orbits, the zodiac, lunar eclipse
(fol. 52v) Geographical diagrams including a Macrobian map of the world with its oceans, and another zonal map; and phases of the moon
(fol. 53r) Rubric: Colligatio elementorum secundum platonicos numeros
(fol. 53v) Diagram of musical intervals
(fol. 54r) Cosmographical diagram of the five elemental layers; and Calcidius’ lambda diagrams, combined.
(fol. 54v) Diagrams of the elements and seasons
(fol. 55r–v) Short contemporary additions:
a. (fol. 55r) Incipit: Quibus ita diuisis consequenter implebat interualla duplicis et triplicis quantitatis [Tim. I.35c-36a]. sesqualteris. et sesquitertiis. et binis medietatibus. medietas alia est arismetica. alia geometrica. alia armonica. Arismetica est que consideratur in sola identitate differentiarum.
b. (fol. 55v) Incipit: Sumpsit unam Uisis uiribus anime, considerandum est qui sint motus eius
c. (fol. 55v) Incipit: Discipline due sunt species. Astronomia. Astrologia. Astronomia est que consideratur secundum rei veritatem
(fol. 55v) Incipit: Mitte mihi per Johannem fratrem tuum dimidium centum de partie Gold
MS. Digby 23 – Part 2
(fols. 1r–72r) Chanson de Roland
(fol. 72r) Six lines of badly faded text following the explicit were transcribed as follows by C. Samaran under ultra-violet light for the facsimile edition of 1932 (La chanson de Roland: reproduction phototypique) and dated by him to the 13th century; the readings were confirmed by R. W. Hunt in 1975 (see M. B. Parkes, Scribes, Scripts and Readers (1991), p. 76): ‘Ci fait la geste [que Turoldus declinet] | . odo ................. | .............. |C. . . (ligne sinueuse) |C os (?) [ ...]. C.]o rd[uben]s[is. ....] Chalcidiu[s] | .....’
(fol. 73r) Ten lines of Middle English, written in leadpoint, c. 1400 (?) (not noted in Index of Middle English Prose or the Index of Middle English Verse). The following transcription was given by Samaran (La chanson de Roland: reproduction phototypique (1932), p. 32): ‘... men among ... he dos to wi........... | grene and gray ... as sinful me w........ | mykil wrong .... mani ...... at was .... | at maked his song of so .............. | all his ban ...... say reant oym. W...... | him .... niht .... long for g...... Was .... | allaye(?) to hurten we .................... | long ................. was ........................| .............. n.....es ful a songe ........... | wryte ....... s.................................’
(fol. 73v) Pen trials at the foot of the page.
(fols. 74r–75v) Blank.
(fol. 76r) Three lines from Juvenal, Satires (viii.269–71) added at the foot of the page (former pastedown) by an early hand, 12th or 13th century.

Binding

Standard binding of the Digby collection, between 1632 and 1634: light brown leather, stamped on each cover in gilt with the large armorial stamp of Sir Kenelm Digby, with his arms in a laurel leaf within a pointed oval frame which carries the legend ‘INSIGNIA KENELMI DIGBY EQVITIS AURATI’; two clasps.

Provenance

Both parts of the manuscript were demonstrably together in Thomas Allen's library (octavo section, no. 48: Timaeus Platonis Lat: cum Romances Gallicis metro). Whether they were together previously is uncertain. Possible evidence in favour of an earlier association is provided by matching rust stains and holes on part 1, fol. 1 and part 2, fol. 76 which may suggest a shared earlier binding. Samaran and Parkes believed that the word 'Chalcidiu[s]' in thirteenth-century script could be read on part 2, fol. 72r, which would suggest that the two parts had been together since the thirteenth century.

Against this must be set other arguments: the title on part 1, fol. 2r (thirteenth century, second half according to Ker) refers only to the Timaeus; and the added text at the end of part 1, fol. 55v, mid-14th century, would seem to suggest that this page was then the end of a volume. Worm-damage at the beginning of part 2 indicates that it was separately bound at some stage.

Kenelm Digby: his signature and motto, fol. 2r, ‘Vindica te tibi / Ken: Digby’.

Presented by him to the Bodleian in 1634.

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From Bodleian Archives & Manuscripts

This is an extract only. For more information, see the catalogue record in Bodleian Archives & Manuscripts.

Bodleian Archives & Manuscripts contains descriptions of the Bodleian Libraries’ archival collections, including post-1500 manuscripts. Some manuscripts with records in other catalogues are also described here as part of a description of a larger archive. Learn more.

Title

Platonis Timaeus; La Chanson de Roland

Shelfmark

MS. Digby 23

Summary

55, 72 leaves

Date

'I consider this within the 1st half of the 12th [cent.].' E. W. B. N.

Language

Latin

Physical extent

1 box

Custodial history

Manuscript 1458 acquired by the Bodleian Library (74). Belonged in whole or in part to Thomas Allen of Gloucester Hall.

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Collection contents

Digby Manuscripts

Platonis Timaeus; La Chanson de Roland

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  • Digital Bodleian (full digital facsimile of part 1)
  • Digital Bodleian (full digital facsimile of part 2)

Connections

People associated with this object

  • Langley, mr. Henry of, fl. 1246-1263

  • Juvenal

  • Calcidius

  • Allen, Thomas, 1542-1632

  • Digby, Kenelm, 1603-1665

  • Plato

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