Works by composers whose surname begins with G-L

Title

Works by composers whose surname begins with G-L

Shelfmark

MS. Mus. a.16

Summary

Includes:

John Garth: 'Concerto no. I in D [for] violoncello solo, string orchestra and continuo (ad lib.)'. Score.

Bartholomäus Gesius (Gese): 'Historia vom Leiden und Sterben … Jesu Christi, wie sie uns der Evangelista Johannes … beschrieben'. Score in early hand owned and signed by 'C. Hubert Parry'.

Francesco Geminiani: 'Sonata no. II from 6 sonatas for violoncello op. V'. Score and part.

Ruth Gipps: 'The cat, [cantata for] contralto or baritone soli, double chorus & orchestra [...] op. 32'. Photocopy of vocal score in possibly the composer's hand.

Ivor Gurney: 'The folly of beeing comforted' [song]. Photocopy of score possibly in the composer's hand.

Ivor Gurney: 'Under the greenwood tree' [song]. Score, possibly in the composer's hand.

George Frederic Handel: 'Concerto no. 5 [Concerto grosso op. 6, no. 5]. Set of parts in earlier hand.

Joseph Haydn: 'Original [and] two alternative cadenzas to Haydn concerto for pianoforte & orchestra' [Hob. XVIII, 11], with two further cadenzas in D major. Solo parts.

Randolph Hokanson: 'Sarabande' [for piano]. Dyeline photocopy of possibly the composer's autograph.

Gustav Holst: 'Greeting' [version for orchestra]. Score.

'Catch by John Isham'. Score not in G. Finzi's hand.

Robert Johnson: 'A knell [of Johnson]' for 5 viols. Score.

Charles Jones: 'Introduction and rondo for string orchestra'. Photocopy of possibly the composer's autograph score.

Walter Leigh: 'Trio for flute, oboe & piano'. 2 copies of score and parts in photocopy of copyist's manuscript.

Antonio Lotti: 'Madrigals and motetts'. Possibly a contemporary manuscript of score in ink with additions in pencil.

Date

[mid-18th cent.]-[mid-19th cent.], n.d.

Language

English

Physical extent

1 box