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Secular Psalter with Antiphons; France, South (?), 15th century, second half

MS. Canon. Bibl. Lat. 85

Bodleian Libraries, University of Oxford

Details

This item is described in 2 online catalogues.?

For the main catalogue entry, see: Medieval manuscripts in Oxford libraries

Other descriptions: Bodleian Archives & Manuscripts

Description

From Medieval manuscripts in Oxford libraries

This is an extract only. For more information, see the catalogue record in Medieval manuscripts in Oxford libraries.

Medieval manuscripts in Oxford libraries contains descriptions of all known Western medieval manuscripts held in the Bodleian Libraries, and of medieval manuscripts in selected Oxford colleges. Learn more.

Title

Secular Psalter with Antiphons; France, South (?), 15th century, second half

Shelfmark

MS. Canon. Bibl. Lat. 85

Place of origin

French, South(?)

Date

15th century, second half

Language

Latin

Contents

Secular Psalter with Antiphons
1. (fols. 1–69r) Psalms 1–150, imperfect at the beginning. Fol. 1 is a fragment, containing parts of psalms 1–4; fol. 2 begins with psalm 4: 4 (quoniam mirificauit dominus . . .). A quire is missing after fol. 10; missing text 21: 23–38: 6. The psalms are in the biblical order, laid out as prose, without numbers, most with rubrics ‘psalmus dauid’ or ‘psalmus’. From psalm 107 onwards longer titles are also occasionally used, such as ‘ALLELVIA. PSALMVS DAVID. VOX ECCLESIE’ (psalm 107, fol. 51r), ‘CANTICVM SALAMONIS’ (psalm 126, fol. 60r), ‘Vox Sancte Marie’ (psalm 130, fol. 61r). These titles do not conform to any of Salmon’s series (1959). Punctuated throughout, with punctus elevatus used to mark metrum and minor pauses. The order of psalms 123 and 124 is reversed (fols. 59v–60r); psalms 148–150, a sequence for all Lauds in both monastic and secular use, are written without breaks as a single text. Subdivisions within psalms are not indicated, apart from psalm 118, subdivided into twenty-two 8-verse units. There are textual divisions at psalms 52, 68, 80, 97 and 109 (see ‘Decoration’). The psalms are accompanied by cues for antiphons, versicles, chapters, etc. with rubrics referring to secular use.
2. (fols. 69r–73v) Weekly canticles, with titles and antiphons: (1) Confitebor tibi domine (Isaiah 12) (‘Canticum ysaye prophete’); (2) Ego dixi (Isaiah 38: 10–21) (‘Canticum Regis Grecie’); (3) Exultauit cor meum (1 Samuel 2: 1–11) (‘Canticum Anne’); (4) Cantemus domino (Exodus 15: 1–20) (‘Canticum Moysi’); (5) Domine audiui (Habakkuk 3) (‘Canticum Abacuc’); (6) Audite celi (Deuteronomy 32: 1–44) (‘Canticum Moysi’).
3. (fols. 73v–76v) Daily canticles, prayers and creeds, with titles: (1) Benedicite omnia opera (‘Himnum trium puerorum’) (fol. 73v); (2) Te deum laudamus (‘Laus Angelorum’) (fol. 74r); (3) Magnificat (‘Canticum sancte Marie’) (fol. 74v); (4) Nunc dimittis (‘Canticum Simeonis’) (fol. 75r); (5) Pater noster (‘Oratio dominica’) (fol. 75r); (6) Apostles’ Creed (Credo in deum ...) (‘Incipit Cimbolum’) (fol. 75r); (7) Gloria in excelsis (‘Laus Angelorum’) (fol. 75r); (8) Athanasian Creed (Quicumque uult ...) (‘Fides sancti Athanasij episcopi’) (fol. 75v).
4. (fols. 76v–79r) Litany (‘Letania pro peccatis christianorum’), including saints venerated in the south of France and north of Spain, such as Victor (of Marseilles (?)), Saturninus (of Toulouse (?)), Privatus (of Mende (?)) and brothers Justus and Pastor of Alcala (the last two) among the martyrs; Bonitus (of Clermont (?)), Illidius (of Clermont or Marseilles (?)) and Gerald (of Aurillac (?)) among the confessors; and Eulalia (of Barcelona (?)) among the virgins. The litany is followed by collects with short rubrics (fols. 78v–79r): (1) Deus cui proprium est misereri semper et parcere ... (‘Pro peccatis’); (2) Omnipotens sempiterne deus qui facis ... (‘Oratio’); (3) Pretende domine famulis et famulabus tuis dexteram celestis auxilii ... (‘Alia’); (4) Adesto domine supplicationibus nostris et uiam famulorum tuorum in salutis tue ... (‘Alia’); (5) Vre igne sancti spiritus renes nostros ... (6) Actiones nostras quesimus domine aspirando preueni ... (‘Alia’); (7) Deus a quo sancta desideria rectaque ... (‘Pro pace’). At the end: ‘LAVS . TIBI . CHRISTE . FINIS’ (fol. 79r).
5. (fols. 79v–80v) Added alphabetical index of psalms, canticles, prayers and creeds, 15th century (?). Folio references added to the list in a hand which foliated the psalter, 16th century (?). These references were added before a quire was lost after fol. 10, but probably after the loss of the opening leaf. Fol. 81 is a paper fly-leaf, blank apart from modern notes.

Form

codex

Support

fine, light parchment, resembling Italian parchment; paper fly-leaves; at the beginning and end many leaves are mutilated and repaired with parchment

Physical extent

82 leaves Leaves were trimmed in rebinding.

Hands

Rounded Gothic script with a strong humanistic influence, black ink; smaller script used for antiphons, etc.

Decoration

4-line plain red and blue initials at the beginnings of psalms 52 (fol. 17v) and 109 (fol. 51r). The opening words of psalms are written in capitals.

3-line plain red and blue initials at the beginnings of psalms 68 (fol. 25r), 80 (fol. 34r), 97 (fol. 42v) and the beginning of the litany (fol. 76v).

2-line plain alternating red and blue initials at the beginnings of psalms, hymns, canticles and prayers.

1-line plain alternating red and blue initials at the beginnings of periods and verses.

Rubrics in red ink, some in capitals; some rubrics are not filled in (e.g. fols. 5r, 51v–52v).

Guide-letters for illuminators and rubricators are often visible.

Binding

Brown laid paper over pasteboard. Brown leather spine with four raised bands, framed with gilt fillet lines. One of the bands is covered with a paper label printed ‘Canonici || Bibl [ ...]’. Another paper label is printed ‘85’. Red leather label with gilt lettering ‘PSALT. || ET || HYMN. || ETC. || COD. M.’. Gilt fillet lines at the top and bottom of the spine. Paper pastedowns and fly-leaves.

Acquisition

Bodleian Library: bought in 1817 from Canonici’s nephew Giovanni Perissinotti.

Provenance

Made in southern France (?): evidence of the litany, parchment and script.

Still in use in the 16th century when the manuscript was foliated and folio references were added to an alphabetical index of psalms (fols. 79v–80v).

A short description of the manuscript in Latin on a strip of paper pasted to fol. i recto ‘Psalterium. Codex membran. in 4. saec. circ. xiii. Fuisse videtur descriptus in usum privati cuiusdam Monachi Benedictini et Galli, uti indicant Litaniae M. in fine descriptae: est initio mancus.’. The description is in an Italian, 18th-century (?) hand, but not the hand of Canonici or any of the earlier owners and librarians whose handwriting is illustrated in Mitchell (1969). Such descriptions are also found in MS. Canon. Bibl. Lat. 42, MS. Canon. Pat. Lat. 88, MS. Add. D. 47, MS. Canon. Liturg. 105, MS. Canon. Liturg. 155, MS. Canon. Liturg. 377 and MS. Canon. Liturg. 393.

Matteo Luigi Canonici of Venice (1727–c. 1806), but not from the libraries of Soranzo or Trevisan (Mitchell, 1969).

Giuseppe Canonici , -1807

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From Bodleian Archives & Manuscripts

This is an extract only. For more information, see the catalogue record in Bodleian Archives & Manuscripts.

Bodleian Archives & Manuscripts contains descriptions of the Bodleian Libraries’ archival collections, including post-1500 manuscripts. Some manuscripts with records in other catalogues are also described here as part of a description of a larger archive. Learn more.

Title

Psalter (secular, with antiphons)

Shelfmark

MS. Canon. Bibl. Lat. 85

Date

15th century, second half

Language

Latin

Physical extent

1 volume

View full record in Bodleian Archives & Manuscripts

Collection contents

Canonici Manuscripts

Canonici Latin Biblical

Psalter (secular, with antiphons)

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Connections

People associated with this object

  • Canonici, Matteo Luigi, 1727-1805

  • Canonici, Giuseppe (d. 1807)

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