Choir Psalter with Antiphons, Carthusian Use; Italy, North (Mantua (?)), 14th century, late
MS. Canon. Liturg. 377
Bodleian Libraries, University of Oxford
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Details
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This item is described in 2 online catalogues.?
For the main catalogue entry, see: Medieval manuscripts in Oxford libraries
Other descriptions: Bodleian Archives & Manuscripts
Description
From Medieval manuscripts in Oxford libraries
This is an extract only. For more information, see the catalogue record in Medieval manuscripts in Oxford libraries.
Medieval manuscripts in Oxford libraries contains descriptions of all known Western medieval manuscripts held in the Bodleian Libraries, and of medieval manuscripts in selected Oxford colleges. Learn more.
Title
Choir Psalter with Antiphons, Carthusian Use; Italy, North (Mantua (?)), 14th century, late
Shelfmark
MS. Canon. Liturg. 377
Place of origin
Italian, North( Mantua(?))
Date
14th century, end
Language
Latin
Contents
Form
codex
Support
parchment; paper fly-leaves
Physical extent
201 leaves Leaves were trimmed in rebinding, occasionally causing the loss of decoration; lower outer corner is damaged by rodents (?)
Hands
Large formal Gothic book hand, black ink, smaller script used for antiphons
Decoration
3-line Beatus-initial (fol. 1r) with half-figure of Christ (?) and border (left and right margins) decorated with coiled tendrils, foliage, animal heads and gold discs (badly rubbed).
Border: see above.
2-line initial, on gold background (rubbed), decorated with geometric designs, foliage and gold discs, at the beginning of psalm 26 (fol. 21r).
3-line blue initials, decorated with red penwork, at the beginnings of psalm 109 (fol. 109r), hymnal (fol. 165r) and various hymns, e.g. fols. 167v, 173v, 176r, etc.
2-line blue or red initials, decorated with contrasting red or purple penwork, at the beginnings of psalms, canticles, prayers and hymns. Penwork occasionally includes anthropomorphic and zoomorphic designs, such as birds and human profiles.
1-line alternating red and blue initials, decorated with contrasting purple or red penwork, at the beginnings of verses and periods. Guide-letters for the illuminator often survive.
Added hymns on fols. 188v–189v and 194r–196r have 2-line red or black penwork initials.
Medieval and later drawings in the margins, including floral designs, hands, human heads and profiles, e.g. fols. 28v, 72r, 82v, 98r, 121r.
Rubrics in red ink.
Musical notation
Square notation on staves of four red lines.
Binding
Brown leather over wood boards; one of the standard Canonici styles, Italian, 18th century. Blind roll floral border, outlined by blind fillet lines round the outer edge of both covers. Rectangular frame, containing a diamond-shaped figure, both formed by blind roll floral designs on both covers. Floral decorations on the sides and in the corners of the frame and inside the diamond-shaped figure. The designs used are identical with those on MS. Add. D. 47. Five raised bands on spine. Panels between the bands are framed with gilt fillet lines. Brown leather label on spine, framed by gilt fillet lines and gilt arabesque designs, with gilt lettering ‘PSALTERIV. || DAUIDI- || CUM || COD. MEM.’. ‘377’ written in white paint on spine. Pastedowns and fly-leaves made of laid paper, no watermarks.
Acquisition
Bodleian Library: bought in 1817 from Canonici’s nephew Giovanni Perissinotti. Earlier shelf-marks: ‘Miscell. Liturg. CCCLXXVII’ and ‘377’(fol. i verso), cf. upper pastedown and fol. 1r.
Provenance
Owned by and probably made for a Carthusian house near Mantua, presumably the Charterhouse of the Holy Trinity: inscribed in a formal script ‘Cartusie Mantue 72’ (15th century), with a cross on a trifoil base with a horizontal letter ‘S’ above it, stamped over the inscription (the Triumphant Cross, symbol of the Carthusian Order) (fol. 1v, centre of lower margin).
An inscription, 16th century (?), comprising a cross and ‘die xv septembris’ (fol. 69r, lower margin).
A description of the manuscript in an Italian, 18th-century (?) hand, but not the hand of Canonici or any of the earlier owners and librarians whose handwriting is illustrated in Mitchell (1969). Similar descriptions in the same hand are also found in: MS. Canon. Bibl. Lat. 42, MS. Canon. Bibl. Lat. 85, MS. Canon. Pat. Lat. 88, MS. Add. D. 47, MS. Canon. Liturg. 105, MS. Canon. Liturg. 155 and MS. Canon. Liturg. 393: ‘Psalterium Chorale. Cod. membran. in fol. saec. XIV. ad usum Monasterii cujuspiam Benedictini. In fine Cantica Biblica, Hymni per annum, aliaeque preces. Videtur in Gallia descriptus’ (fol. ii recto).
Matteo Luigi Canonici of Venice (1727–c. 1806), but not from the libraries of Soranzo or Trevisan (see Mitchell, 1969).
View full record in Medieval manuscripts in Oxford libraries
From Bodleian Archives & Manuscripts
This is an extract only. For more information, see the catalogue record in Bodleian Archives & Manuscripts.
Bodleian Archives & Manuscripts contains descriptions of the Bodleian Libraries’ archival collections, including post-1500 manuscripts. Some manuscripts with records in other catalogues are also described here as part of a description of a larger archive. Learn more.
Title
A Carthusian Psalter
Shelfmark
MS. Canon. Liturg. 377
Summary
A Carthusian Psalter, with canticles, etc., followed by a Hymnal (fol. 176). Fols. 190-3 are supplied in a late hand, and a leaf is lost after fol. 38. There are musical notes. Stt. Blandina and Euphemia occur in the litany at fol. 162.
Date
Written in the 14th century in North Italy
Language
Latin
Physical facet
On parchment, with a small miniature, border, capitals, etc.
Physical extent
199 Leaves
Custodial history
'Cartusie Mantue 72' (15th cent.: fol. 1v).
View full record in Bodleian Archives & Manuscripts
Collection contents
Canonici Liturgical
A Carthusian Psalter
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