A large collection of vocal music, including many of Purcell's works in full score

Title

A large collection of vocal music, including many of Purcell's works in full score

Shelfmark

MS. Tenbury 1175

Summary

Items 28-41 are stated to have been 'transcribed from the original score 1680 [presumably Add MS. 30930, British Library] in the handwriting of the author', i. e. Henry Purcell. The second section of the book (formerly at the reverse end, but now bound in to follow H. Purcell's 'Since God so tender') consists of Latin motets, but no names of composers are recorded with these.

Contents:

(p. 1) The Duke of Gloucester's Installation Musick. H. [really D.] Purcell

(p. 23) The Musick in the Play ('When night her purple veil'). H. [really D.] Purcell

(p. 39) Musick in last Act of the Indian Queen. H. Purcell [really the concluding masque by Daniel Purcell]

(p. 59) Musick in Cythia and Endymion. D. Purcell

(p. 71) Musick in the Tragedy of Pausanias. D. Purcell

(p. 81) Arise, great dead. [?D.] Purcell [in Daniel Purcell's hand]

(p. 87) Canon. J. C. Pepusch [dated 29 Jan 1721/1722 at 'Canons'; probably autograph]

(p. 88) Musick in Bonduca. H. Purcell

(p. 104) Madonna s'io n'amai. A. Willaert

(p. 107) L'aspetto sacro della terra (pars i). F. Roselli

(p. 109) So che 'l suo ragionar (pars ii). F. Roselli

(p. 111) Ogni loco mi porge (pars i). G. P. da Palestrina

(p. 114) Poscia che per mio mal (pars ii). G. P. da Palestrina

(p. 116) Piangete O muse (pars i). Giovanni Lockenburgno [J. Lockenburg]

(p. 118) Doletevi morte (pars ii). Giovanni Lockenburgno [J. Lockenburg]

(p. 120) Solo e pensoso (pars i). Giov. Nasco

(p. 123) Si ch'io mi cred' homai (pars ii). Giov. Nasco

(p. 125) Cura che di timor (pars i). F. Roselli

(p. 126) Sei senza riposo (pars ii). F. Roselli

(p. 128) Ben ho del car' oggetto. F. Roselli

(p. 131) The Yorkshire Feast. H. Purcell [probably in the hand of Thomas Barrow

(p. 166) Song on the Assumption. Jeremiah Clark [Clarke; probably in the hand of Thomas Barrow]]

(p. 192) Motet de St François Xavier. André Campra

(p. 218) In guilty night. H. Purcell

(p. 223) The Dissolution. John Weldon

(p. 236) Hymn upon the last day. H. Purcell

(p. 240) On a quiet conscience. H. Purcell

(p. 242) Beati omnes qui timent. H. Purcell

(p. 248) Jehovah quam multi. H. Purcell

(p. 254) Gloria Patri. H. Purcell

(p. 258) O all ye people clap your hands. H. Purcell

(p. 265) Plunged in the confines of despair. H. Purcell

(p. 268) Hear me O Lord, and that soon. H. Purcell

(p. 270) Lord, not to us. H. Purcell

(p. 272) When on my sick-bed. H. Purcell

(p. 277) Hear me O Lord, the great support. H. Purcell

(p. 283) Early O Lord my fainting soul. H. Purcell

(p. 290) O Lord our Governor. H. Purcell

(p. 297) Ah few and full of sorrow. H. Purcell

(p. 302) Oh I'm sick of life. H. Purcell

(p. 306) Lord I can suffer thy rebuke. H. Purcell

(p. 312) Since God so tender a regard. H. Purcell

Reverse end of the book (now bound consecutively):

(p. 1) Kyrie and Gloria in excelsis. Incerto

(p. 32) Beati immaculati

(p. 34) Utinam dirigantur

(p. 36) In quo corrigit

(p. 38) In labiis meis

(p. 40) In exitu Israel

(p. 43) A facie domini

(p. 45) Simulacra gentium argentum

(p. 46) Similes illis fiant

(p. 48) Dominus memor fuit

(p. 51) Coelum coeli domino

(p. 54) Quem dicunt homines

(p. 56) Ave Maria

(p. 58) Ave Maria

(p. 60) Favus distillans labia

(p. 63) O tu quae nunc beata

(p. 65) Ave virgo gloriosa

(p. 68) Veramente in amore

Date

c 1696-1720

Language

English

Physical extent

1 volume

Custodial history

Formerly belonged to William Hawes, and Edmund T. Warren Horne.