Portable Psalter with Antiphons; Italy, Venice, c. 1470–1480
MS. Canon. Liturg. 72
Bodleian Libraries, University of Oxford
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Details
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This item is described in 2 online catalogues.?
For the main catalogue entry, see: Medieval manuscripts in Oxford libraries
Other descriptions: Bodleian Archives & Manuscripts
Description
From Medieval manuscripts in Oxford libraries
This is an extract only. For more information, see the catalogue record in Medieval manuscripts in Oxford libraries.
Medieval manuscripts in Oxford libraries contains descriptions of all known Western medieval manuscripts held in the Bodleian Libraries, and of medieval manuscripts in selected Oxford colleges. Learn more.
Title
Portable Psalter with Antiphons; Italy, Venice, c. 1470–1480
Shelfmark
MS. Canon. Liturg. 72
Associated place
Italian
Place of origin
Italian, Venice
Date
c. 1470–1480
Language
Latin
Contents
Form
codex
Support
parchment; fols. iii and 170 dyed purple
Physical extent
176 leaves
Hands
The work of several scribes, a change of scribe at fols. 51r, 70v, 111r; formal Gothic book hands; antiphons in a smaller script; black and brown ink
Decoration
8-line Beatus initial, 7-line initial at psalm 97, 6-line initials at psalms 80 and 109, and 4-line initials at other liturgical divisions; borders on three sides decorated with foliage, flowers and gold discs. fol. 1r, Psalm 1 (initial B(eatus)), Gold initial with King David in prayer; laurel wreath with the arms of Bononi family, Venice, flanked by two eagles standing on bodies of two deer in a landscape in the lower margin; medallion with doe couchant in the right margin. fol. 21v, Psalm 26 (initial D(ominus)), Half-figure of nimbed King David, pointing to his eyes. fol. 35r, Psalm 38 (initial D(ixi)), Half-figure of nimbed King David, pointing to his mouth. fol. 48r, Psalm 52 (initial D(ixit)), Half-figure of the Fool, holding a club. fol. 77v, Psalm 80 (initial E(xultate)), Half-figure of a tonsured cleric and lay figure ringing two bells. fol. 87v, Psalm 91 (initial B(onum)), Profile half-figure of a tonsured saint. fol. 89v, Psalm 94 (initial U(enite)), Profile half-figure of a bearded saint in prayer. fol. 92ar, Psalm 97 (initial C(antate)), Half-figures of two tonsured clerics singing from a music book on a lectern. fol. 106r, Psalm 109 (initial D(ixit)), Half-figure of a bearded saint with a landscape of trees in the background, right hand pointing to the text; half-figure of God in clouds above. fol. 147v, Hymnal (initial C(onditor)), 5-line initial with a bust of a bearded saint.
Borders: see above.
2- to 4-line alternating red initials with purple penwork and blue initials with red penwork at the beginnings of psalms, canticles and hymns.
1-line plain alternating red and blue initials at the beginnings of verses and periods.
Rubrics in red ink, most not filled in.
Binding
17th century ?, Italian: pasteboards?; red velvet (spine very worn), plain, possibly overlying an earlier decorated cover; impress-marks on the fabric of each cover from two semi-circular filigree clasp-fittings and four circular bosses, all removed; edges gilt, gauffered. 174–175 121 c. 42–44 (book closed).
15th century, Italian(as MS.?): paste-downs and flyleaves of purple parchment, presumably inherited from the original binding.
18th century, Italian: further paste-downs (pasted over the purple) and flyleaves of fine ‘Dutch gilt paper’, block-printed in gold on a green ground with floral and interlace patterns including birds, vases, etc., added in Italy probably after the removal of the metalwork.
Acquisition
Bodleian Library: bought in 1817 from Canonici’s nephew Giovanni Perissinotti. Earlier shelfmark: ‘Miscell. Liturg. Bibl. Bodl. 72’ (fol. ii verso and iii recto).
Provenance
Made for Bononi family, Venice: coat of arms on fol. 1r. The arms are stated erroneously to be those of Mistelbach on fol. i verso. The manuscript is listed as of Mistelbach provenance in Krämer (1989). According to van Dijk (1958), ‘The division of the psalter is similar to that of the Cluniacs but it is secular and the series of antiphons is different from any monastic psalter’ (fol. 6).
Matteo Luigi Canonici of Venice (1727–c. 1806), but not from the libraries of Soranzo or Trevisan.
View full record in Medieval manuscripts in Oxford libraries
From Bodleian Archives & Manuscripts
This is an extract only. For more information, see the catalogue record in Bodleian Archives & Manuscripts.
Bodleian Archives & Manuscripts contains descriptions of the Bodleian Libraries’ archival collections, including post-1500 manuscripts. Some manuscripts with records in other catalogues are also described here as part of a description of a larger archive. Learn more.
Title
A Cluniac Psalter
Shelfmark
MS. Canon. Liturg. 72
Summary
A Cluniac Psalter, with Canticles and Creed: followed by a hymnal (fol. 147v).
On fol. 1 are the arms, gules a flight of steps in bend argent, stated in a pencil note (erroneously?) to be the arms of Mistelbach.
Date
Written in the first half of the 15th century in Italy
Language
Latin
Physical facet
On parchment, with illuminated borders, small miniatures, etc.
Physical extent
172 Leaves
View full record in Bodleian Archives & Manuscripts
Collection contents
Canonici Liturgical
A Cluniac Psalter
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Connections
People associated with this object
- Bononi family, Venice
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Jacometto
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Canonici, Matteo Luigi, 1727-1805