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Psalter; Latin with Middle English additions; England, Diocese of Ely; 13th century, beginning, with later additions

MS. Laud Lat. 95

Bodleian Libraries, University of Oxford

Details

This item is described in 2 online catalogues.?

For the main catalogue entry, see: Medieval manuscripts in Oxford libraries

Other descriptions: Bodleian Archives & Manuscripts

Description

From Medieval manuscripts in Oxford libraries

This is an extract only. For more information, see the catalogue record in Medieval manuscripts in Oxford libraries.

Medieval manuscripts in Oxford libraries contains descriptions of all known Western medieval manuscripts held in the Bodleian Libraries, and of medieval manuscripts in selected Oxford colleges. Learn more.

Title

Psalter; Latin with Middle English additions; England, Diocese of Ely; 13th century, beginning, with later additions

Shelfmark

MS. Laud Lat. 95

Date

13th century, beginning

Language

Middle English (1100-1500)

Latin

Contents

Psalter
(fol. ii recto–verso) Religious poem in English on ‘how Our Lady’s Psalter was found’, Leuedy swete and milde (IMEV 1840), 14th century, late, imperfect at the beginning, starting with ‘Be her of wel stille (And) sey mid gode wille ...’
2. (fol. 1r) 16th-century document, beginning imperfectly at ‘the Cathedrall churche of Chichestre ...’.
3. (fols. 1v–11r) Part of a 16th-century order for the office, almost equivalent to the second recension of Quignon’s Breviary (Legg, 1908–12). Fols. 11v and 12r–v are blank; fols. 13r–15v are ruled but blank. The ruling on fol. 13 is in purple ink, the same as on fol. 22. Erasure of an early modern text on fol. 13r.
4. (fols. 16r–21v) Added late 14th-century Sarum calendar, laid out one month per page, written in black, red, blue and gold (rubbed), not graded, approximately threequarters full. Additions include David and Chad (1 and 2 March), Etheldreda (17 October), Frideswide (19 October), Winifred (3 November), Osmund (4 December), canonized in 1457, and his translation (16 July). Titles ‘pape’ and the feast of Thomas Becket are erased. The months are preceded by two sets of verses on the ‘Egyptian’ days, the first corresponding to Hennig’s (1955) set III. Fol. 22 is ruled but blank.
(fol. 23r) The month of December of the original calendar, written in black, red and blue; almost all feasts are graded, with a maximum of 9 lessons; the feast of Thomas Becket and titles ‘pape’ are erased. Liturgical instructions in the original hand; a verse on the ‘Egyptian’ days corresponding to Hennig’s (1955) sets IV and V. [items 6–9 occupy quires IV–XII]
6. (fol. 23v–87r) Psalms 1–150 in the biblical order, laid out in two columns, with each verse starting on a new line, with titles (Salmon (1959), series V). Punctuated throughout, with punctus used to mark the ends of verses and minor pauses, and punctus elevatus used to mark metrum. There are textual divisions at psalms 26, 38, 51, 52, 68, 80, 97, 101 and 109 (see ‘Decoration’). Subdivisions within psalms are not indicated, apart from psalm 118, subdivided into twenty-two 8-verse units. Sarum antiphons with music added in the margins in the 14th century. 16th-century additions, including psalm numbers, further antiphons, liturgical notes and a rubric ‘die primo’ to ‘die 30’ in the upper margin, referring to the monthly cycle of psalms in the English Book of Common Prayer. In addition to Vulgate numbers in brown ink in the margins, many psalms are also given another set of non-consecutive numbers in red ink in the same 16th-century hand, which appear in the margins, opposite the last line of the psalm. These red numbers are sometimes preceded by ‘Se(quitur) psa(lmus)’ or the opening words of the corresponding psalm (e.g. psalm 28 ‘Afferte domino’, fol. 31r, or psalm 31 ‘Beati quorum’, fol. 34v). The red numbers refer to the order of psalms at different liturgical hours in the order of the office on fols. 1v–11r, following the second recension of Quignon’s Breviary (e.g. psalm 54 has the red number 105 at the end, which corresponds to the order 54–105 in ‘Sabatto ad matutinum’ on fol. 3v; psalm 48 has a red number 58, which corresponds to the order 48–58 in ‘Feria 4 . ad matutinum’ on fol. 2v). Damaged top of fol. 61 is repaired with a piece of parchment, and text is added in a post-medieval hand in imitation of medieval script.
7. (fols. 87r–90v) Weekly canticles, without titles: (1) Confitebor tibi domine (Isaiah 12); (2) Ego dixi (Isaiah 38: 10–21); (3) Exultauit cor meum (1 Samuel 2: 1–11); (4) Cantemus domino (Exodus 15: 1–20); (5) Domine audiui (Habakkuk 3); (6) Audite celi (Deuteronomy 32: 1–44).
8. (fols. 90v–93a recto) Daily canticles, prayers and creeds, without titles: (1) Te deum laudamus (fol. 90v); (2) Benedicite omnia opera (fol. 91r); (3) Benedictus dominus deus (fol. 91v); (4) Magnificat (fol. 92r); (5) Nunc dimittis (fol. 92r); (6) Athanasian Creed (Quicumque uult ...) (fol. 92r).
9. (fols. 93a recto–93b recto) Litany, imperfect (the outer half of the page containing saints’ names is cut off). Followed by collects (fol. 93b recto): (1) Deus cui proprium est misereri semper et parcere suscipe ... (2) Pretende domine famulis tuis dexteram celestis auxilii ut de toto corde ... Cues of preces and collects of the Morning Prayer in Latin are added in a 16thcentury hand. Fol. 93b verso is blank.
10. (fols. 94r–132r) Chapters, collects, hymns, lessons, antiphons, versicles and responses with rubrics, divided into temporale (fol. 94r), followed by the dedication of a church (fol. 114r); sanctorale (fol. 114v); and the Common of Saints (fol. 128v). Includes commemorations of Ermenilda, abbess of Ely (fol. 116r), Juliana (fol. 116r), Withburga, relics in Ely (fol. 116v), Etheldreda (fol. 119v), Sexburga and the translation of Withburga (fol. 122r), Samson (fol. 122r), Oswald (fol. 123r), the translation of Cuthbert (fol. 124v) and the translation of Etheldreda (fol. 126v). Marginal additions from Quignon Breviary in a 16th-century hand.
11. (fols. 132v–133v) Added hymns, 14th century, with the opening lines accompanied by music: Vt fons fecundus (Chevalier 20990), Pange lingua gloriosi presulis solempnia (Chevalier 14490), Christi presul preciose (Chevalier 24497), Salue crux sancta salue mundi (Chevalier 17875), Pie colamus anima (Chevalier 14916), O quam beata femina (Chevalier 13484). Among the hymns are three in honour of Richard of Chichester (fols. 132v–133r). The lower part of 133v, originally blank, contains a three-part setting of ‘Conditor alme syderum’, added at the end of the 14th century.
12. (fols. 134r–149v) Added hymnal, early 13th century (?), containing hymns for the year, sanctorale (fol. 144v) and the Common of Saints (fol. 147v). The opening lines of hymns are accompanied by music (square notation on staves of four red lines). Marginal additions in 16th-century hands.

Form

codex

Support

parchment; paper fly-leaves

Physical extent

154 leaves

Hands

Formal proto-Gothic and Gothic book hands; black ink.

Decoration

2-line gold KL monograms on blue and pink backgrounds with white decoration; sprays of foliage and gold discs, in the 15th-century calendar (fols. 16r–21v).

Gold KL monogram (5+ lines high) on blue and pink background, with floral designs in white and orange, in the original calendar (fol. 23r).

Beatus-initial, occupying two-thirds of the page, decorated with interlace, floral designs and animal heads on gold background (rubbed). Square frame with geometric designs and four medallions with flowers in the corners (one lost owing to the corrosion of green pigment). Opening lines written in large gold letters (rubbed) on alternating pink and blue background.

Border: see above.

8- to 10-line historiated initials at liturgical divisions on tooled gold backgrounds with incipits in gold capitals: fol. 45r, Psalm 51 (initial Q(uid)) Two devils, poking sinners, including a bishop, into the mouth of hell. Grotesques. fol. 51v, Psalm 68 (initial (S(alvvm)) Two nude human figures, beasts, birds, animal head. fol. 66v, Psalm 101 (initial (D(omine)) Two grotesques and two profile heads of bearded men. fol. 72v, Psalm 109 (initial (D(ixit)) A monkey, a goat and a grotesque.

9-line initials on gold backgrounds, decorated with floral designs, animal figures and heads, at psalms 26 (fol. 33v), 38 (fol. 39v), 52 (fol. 45v), 80 (fol. 58v) and 97 (fol. 65v).

4-line initials at psalm 119 and the first canticle.

3-line initials with floral designs, grotesques, animal figures, human and animal heads, in gold or on gold backgrounds, at the beginnings of psalms, canticles and litany.

1-line alternating red and blue initials with contrasting penwork at the beginning of verses.

Plain red 3- to 4-line initials at the beginnings of added hymns (fols. 132v–133v).

3- to 4-line initials, gold or on gold backgrounds, decorated with floral and geometric designs, animal figures and heads, and 3-line alternating red and blue initials with contrasting penwork at the beginnings of major chapters, collects, etc. (fols. 94r–132r).

8-line initial on pink and gold background, decorated with floral designs at the beginning of the added hymnal (fol. 134r).

3-line gold initials with penwork, and red and blue initials with contrasting penwork at the beginnings of hymns (fols. 134r–149v).

Rubrics in red ink.

Musical notation

Square notation on staves of four red lines.

Binding

Brown leather over pasteboard, 18th century. Rebacked in the Bodleian with the original spine relaid. Blind roll border round the outer edge of both covers. Blind roll decoration forming a rectangle with floral corner-pieces on both covers. Five raised bands on spine. Gilt lettering on spine: ‘LAUD || K.59’. Paper label on spine printed ‘Laud Lat. || 95’. Laid paper pastedowns and fly-leaves. Fol. 1r was a pastedown of an earlier binding. Holes and marks left by a clasp of an earlier binding on fols. 1–3 and 148–149.

Acquisition

Bodleian Library: second donation from Laud, 16 June, 1636. ‘K59.’ (upper pastedown); ‘K51’ (fol. 1v); paper label with ‘59 || K’ (fol. 15v).

Provenance

Made for the use of the diocese of Ely: liturgical evidence. (Listed in MLGB3 under Ely, Cambridgeshire, Benedictine abbey and (1109) cathedral priory of St Peter and St Etheldreda .)

In the diocese of Chichester in the 14th–16th centuries (?): hymns (fols. 132v–133v), including three in honour of Richard of Chichester; reference to ‘the Cathedrall churche of Chichestre’ on fol. 1r. Adapted for Sarum use in the 14th century through the addition of Sarum antiphons, calendar and hymnal. (Listed in MLGB3 under Chichester, West Sussex, Cathedral church of Holy Trinity, with query.)

Psalm numbers and a translation into Latin of preces and collects, etc. of the Morning Prayer added, and part of the order for the office and marginal additions from Quignon’s Breviary included in the 16th century.

William Laud (1573–1645) , see ODNB: ‘Liber Guil: Laud Archiep(iscop)i Cant et Cancellar Vniuersit Oxon, 1636’ (fol. 2r).

View full record in Medieval manuscripts in Oxford libraries

From Bodleian Archives & Manuscripts

This is an extract only. For more information, see the catalogue record in Bodleian Archives & Manuscripts.

Bodleian Archives & Manuscripts contains descriptions of the Bodleian Libraries’ archival collections, including post-1500 manuscripts. Some manuscripts with records in other catalogues are also described here as part of a description of a larger archive. Learn more.

Title

Psalter and Prayers, hymns and other liturgical materials

Shelfmark

MS. Laud Lat. 95

Date

13th century, beginning; additions, 13th century-15th century, early

Language

Latin

Physical facet

Bound in sprinkled calf

Physical extent

149 Leaves

Custodial history

MS. Frere 19. Manuscript 2266 acquired by the Bodleian Library

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Collection contents

Laudian Collection

Psalter and Prayers, hymns and other liturgical materials

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People associated with this object

  • Laud, William, 1573-1645

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