Italian madrigals. Three part-books (Contratenor, Tenor and Bassus) from a set of five
MSS. Tenbury 366-368
Bodleian Libraries, University of Oxford
Description
From Bodleian Archives & Manuscripts
This is an extract only. For more information, see the catalogue record in Bodleian Archives & Manuscripts.
Bodleian Archives & Manuscripts contains descriptions of the Bodleian Libraries’ archival collections, including post-1500 manuscripts. Some manuscripts with records in other catalogues are also described here as part of a description of a larger archive. Learn more.
Title
Italian madrigals. Three part-books (Contratenor, Tenor and Bassus) from a set of five
Shelfmark
MSS. Tenbury 366-368
Summary
This set of books was repaired in 1922 at the British Museum when fresh backs had to be provided although the original covers were retained.
In all the parts the opening phrase of the words alone is given with the music. 'The names of the composers are stated for fewer than half the works.
Contents:
(fol. 1) Ohimè ch'era
(fol. 1v) Dittes maitresse
(fol. 2v) Se voi set' il me
(fol. 3v) Hor lieto
(fol. 4v) La tua cara (pars 1 et 2)
(fol. 6v) S'hai tua crudell
(fol. 7v) Amorosa
(fol. 8v) Cy ie ne plais
(fol. 9) Non mi fuggir (pars 1)
(fol. 9v) Non vedi (pars 2)
(fol. 10v) Zefiro
(fol. 11v) Scoprirò l'ardor
(fol. 12v) Se voi siete
(fol. 13v) O tu ch'ale
(fol. 14v) Già non fia
(fol. 15v) Poi ch'io non
(fol. 16v) Non mirar
(fol. 17) Donna se voi. Benedetto Pallavicino
(fol. 17v) Ardi e gela. Hans Leo Hassler
(fol. 18v) Dolce mia pastorella. H. Baccasi
(fol. 19v) Tu pur ti parti. B. Pallavicino
(fol. 20v) Filli tu pur cei. B. Pallavicino
(fol. 21v) Che pur voi
(fol. 22v) Udite amanti
(fol. 23v) Pur tu mi chami
(fol. 24v) Ben a ragion
(fol. 25) Liquide perle. Luca Marenzio
(fol. 25v) Quelle rose. Felice Anerio
(fol. 26) Vaga ghirlanda. Gregor Aichinger
(fol. 26v) Arte mi siano. B. Pallavicino
(fol. 27v) La bella cacciatrice. Alfonso Preti
(fol. 28v) Quand je voi. Cornelius Verdonck
(fol. 29v) La belle que je faire. Cornelius Verdonck
(fol. 30v) Fuce donques (pars 1 et 2). Cornelius Verdonck
(fol. 32v) Deggio dunque. Luca Marenzio
(fol. 33v) Natura non me
(fol. 34v) Con che suavità [Pallavicino]
(fol. 35v) O chi quella
(fol. 36v) Dolce alpestre
(fol. 37v) Voi che già
(fol. 38v) Che nova cintia
(fol. 39) Ma maggior
(fol. 40v) Ben le alme
(fol. 41) Chi vi mira. Benedetto Pallavicino
(fol. 41v) Io se qua. Giulio Eremita
(fol. 42v) O vaga tortorclla. Giulio Eremita
(fol. 43v) Dolce mia cara
(fol. 44v) La mia bella
(fol. 45v) Scoprir un picciol
(fol. 46v) Mentre che qui
(fol. 47v) Non mirar
(fol. 48v) Rimaser le parole. Joan Croce
(fol. 49) Donna l'ardente (pars 1 et 2)
(fol. 50v) Signor la vostra
(fol. 51v) Nel più fiorito
(fol. 52v) Halaura
(fol. 53v) Haimè le guancie
(fol. 54v) Hor veggio
(fol. 55v) Al fin le braccia. Orazio Colombano
(fol. 56v) Dunalgio
Date
early 17th cent.
Language
Italian
Physical extent
3 part-books
Custodial history
Formerly owned by Edward Paston of Norfolk.
View full record in Bodleian Archives & Manuscripts
Collection contents
Music manuscripts from the Library of St Michael's College, Tenbury Wells
Italian madrigals. Three part-books (Contratenor, Tenor and Bassus) from a set of five
