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Psalter with additions including English and French verse and music; England, 13th century, first half

MS. Rawl. G. 18

Bodleian Libraries, University of Oxford

Details

This item is described in 1 online catalogue.?

For the main catalogue entry, see: Medieval manuscripts in Oxford libraries

Description

From Medieval manuscripts in Oxford libraries

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Medieval manuscripts in Oxford libraries contains descriptions of all known Western medieval manuscripts held in the Bodleian Libraries, and of medieval manuscripts in selected Oxford colleges. Learn more.

Title

Psalter with additions including English and French verse and music; England, 13th century, first half

Shelfmark

MS. Rawl. G. 18

Associated place

Stapleford Abbot's

Place of origin

English, East Anglia (?)

English

Date

13th century, early (probably before 1221); additions, 13th century

16th century (temp. Henry VIII)

Language

Anglo-Norman

Middle English (1100-1500)

Latin

Contents

Psalter
(fols. 1r–91r) Psalms [1]–150 in the biblical order, without titles, imperfect at the beginning (starting at 2: 8), laid out with each verse beginning on a new line. Punctuated throughout, with punctus used to mark the ends of verses and minor pauses, and punctus elevatus used to mark metrum. There are textual divisions at psalms 26, 38, 51, 52, 68, 80, 97, 101 and 109 (see ‘Decoration’). Subdivisions within psalms are not indicated, apart from psalm 118 subdivided into twenty-two 8-verse units. One leaf is cut out after fol. 13 (missing text 25: 1–26: 1).
(fols. 91v–96r) Weekly canticles, without titles: (1) Confitebor tibi domine (Isaiah 12) (2) Ego dixi (Isaiah 38: 10–21); (3) Exultauit cor meum (1 Samuel 2: 1–11); (4) Cantemus domino (Exodus 15: 1–20); (5) Domine audiui (Habakkuk 3); (6) Avdite celi (Deuteronomy 32: 1–44). Notes on the biblical sources of canticles are added in the margins in a late 16th- or early 17th-century hand, e.g. ‘jsai. 38’ (fol. 91v), ‘1 Sam. 2. 1’ (fol. 92r).
(fols. 96r–98v) Daily canticles, prayers and creeds, without titles, some with notes on their source added in the margins in a late 16th- or early 17th-century hand: (1) Te deum laudamus (fol. 96r), ending imperfectly because of the loss of a leaf after fol. 96; (2) Magnificat (fol. 97r); (3) Nunc dimittis (fol. 97r); (4) Athanasian Creed (Quicumque uult ...) (fol. 97r).
(fol. 98v–102r) Litany including Alban, Oswald, Edmund, Elphege, Blaise, Thomas and William (last) among the martyrs; Taurinus, Dunstan, Cuthbert, Julian (of Le Mans (?)), Bonitus and Neot (last) among the confessors; Honorina, Etheldreda, Mildred and Osyth among the virgins.
(fol. 102r) Added prayer
(fols. 102r–105v) French religious poem
(fols. 105v–106r) Poem accompanied by music
(fol. 106v) Latin hymn, with music for two voices
(fols. 106v–107r) Prayers
(fol. 107v) Notes in Latin, in two different 15th-century hands
‘Alii diuidunt propria & ditiores fiunt. alii rapiunt non sua et semper. in egestate sunt prouerbia. 11.’ (Proverbs, 11: 24)
‘Dauid propheta cantauit carmina leta Ter quinquagenos cantauit ordine psalmos Versus bis mille sexcentum sex canit ille’ (WIC 19209)
MS. Rawl. G. 18 – Part 1
Deed

Form

codex

Support

parchment

Physical extent

1 + i + 107 + i leaves

Hands

Formal Gothic book hand; brown ink.

Decoration

Pages left blank for large illuminated initials (?) at liturgical divisions: psalms 26 (?) (leaf cut out after fol. 13), 38 (fol. 22v), 51 (fol. 30v), 52 (fol. 31v), 68 (fol. 40v), 80 (fol. 51r), 97 (fol. 61r), 101 (fol. 63r) and 109 (?) (leaf cut out after fol. 71). The first verses of psalms are also omitted. The initials were pasted on leaves left blank and later removed. Blank pages have discoloration, traces of glue and bleed-through left by the initials, including green borders and traces of text (e.g. ‘AS’ on fol. 22v, the last letters of ‘meas’); ‘VS’ on fol. 40v (the last letters of ‘deus’)).

3-line alternating red and blue initials with contrasting blue or red penwork at the beginnings of psalms, canticles, litany and prayers.

1-line plain, alternating red and blue initials at the beginnings of verses and periods.

Penwork line-endings.

Musical notation

Music, fol. 105v.

Music for two voices, fol. 106v.

Binding

Dark brown leather over pasteboard, 17th century (?). Blind roll design, forming a rectangular frame, with floral decoration and corner-pieces on the upper (almost obliterated) and lower covers. Rebacked in the Bodleian in 1951: ‘R.H. 12 7 51’ on the lower pastedown. Sewn on four cords, four raised bands on spine, framed with blind fillet lines. Gilt lettering on spine ‘MS. RAWL. || G. 18’. Offset from the deed (see ‘Text’), which must have been once used as a wrapper pasted around the covers and pastedowns. Edges of textblock speckled red.

Acquisition

Bequeathed to the Bodleian in 1755

Provenance

Formerly one volume with MS. Lat. liturg. f. 11 (calendar), q.v.

Made in East Anglia (?): evidence of the calendar and litany.

In the 13th century belonged to a woman (fol. 102r), possibly a nun of Burnham Abbey (?): obit of Idonea of Audeley (d. by 1324) in the calendar, 29 May, MS. Lat. liturg. f. 11.

John Thamys, Principal of St Edmund Hall, Oxford (1438–1458) (Emden, 1974, pp. 1858–9): ‘Istum librum contulit Magistro Thome Lee Magister Johannes Tha’, added c. 1450 (?), fol. 107v.

Thomas Lee, Principal of St Edmund Hall (1459–1469) (Emden, 1974, pp. 1123–4).

Thomas Rawlinson (1681–1725), see ODNB: lot 264 in his sale, March 1733/4. Paper label with ‘264’ on the deed (see ‘Text’) which was once part of the binding.

Richard Rawlinson, 1690–1755, see ODNB: bought at the Thomas Rawlinson sale. Bookplate of Richard Rawlinson on the upper pastedown. His (?) number ‘555’ on the deed.

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Connections

People associated with this object

  • Lee, Thomas Lee, principal of St Edmund Hall (1459–1469)

  • Rawlinson, Richard, 1690-1755

  • Thamys, John, M.A., B.Th., d. by 1482

  • Rawlinson, Thomas, 1681-1725

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