Bodleian Library
Univertiy of Oxford Manuscripts and Archives at Oxford University
  • Home
  • About
  • Help

Help with advanced searching

Portable Psalter and Hours, Bridgettine Use, in Latin and Italian; Italy, Florence (?), 15th century

MS. Canon. Liturg. 49

Bodleian Libraries, University of Oxford

Details

This item is described in 2 online catalogues.?

For the main catalogue entry, see: Medieval manuscripts in Oxford libraries

Other descriptions: Bodleian Archives & Manuscripts

Description

From Medieval manuscripts in Oxford libraries

This is an extract only. For more information, see the catalogue record in Medieval manuscripts in Oxford libraries.

Medieval manuscripts in Oxford libraries contains descriptions of all known Western medieval manuscripts held in the Bodleian Libraries, and of medieval manuscripts in selected Oxford colleges. Learn more.

Title

Portable Psalter and Hours, Bridgettine Use, in Latin and Italian; Italy, Florence (?), 15th century

Shelfmark

MS. Canon. Liturg. 49

Associated place

Italian

Place of origin

Italian, Florence (?)

Date

15th century

Language

Latin

Italian

Contents

Psalter with Hours (Bridgettine Use)
1. (fols. 1–12v) Order of services for an Italian Bridgettine house (‘Incipit ordo cantus et lecture sororum ordinis sancti saluatoris in horis diurnis et nocturnis impermutabiliter obseruandus. Primo igitur sciendum est quod totus cantus ipsis sororibus ex precepto carissime matris nostre sancte brigide ...’); for other copies see Ker (1969–2002). Rubric mentioning Vadstena Abbey on fol. 12r (‘Hec sunt festa que sorores in monasterio vatzstenensi habent pro sumis festiuitatibus’), followed by a list of feasts. A list of procession days in Italian on fol. 12v (‘Delle processioni’), imperfect at the end because of the loss of a leaf.
2. (fols. 13r–184r) Psalms [1]–150, imperfect at the beginning, starting at 2: 8. The psalms are in the biblical order, laid out with each verse beginning on a new line. Punctuated throughout, with punctus used to mark the ends of verses, punctus elevatus used to mark metrum, and punctus or punctus elevatus used to mark minor pauses. Most psalms up to fol. 55r have short titles which do not correspond to any of Salmon’s series (1959), such as ‘x. infinem psalmus david’ (psalm 10, fol. 21r) or ‘xv psalmus inscriptio tituli ipsi david .’ (psalm 15, fol. 24r). After fol. 55r the titles are not filled in. Psalm numbers in Roman numerals in the original hand form part of the titles. Numbers in Arabic numerals are added in margins throughout in a post-medieval hand. Subdivisions within psalms are not indicated, apart from psalm 118, subdivided into twenty-two 8-verse units. The following text is missing owing to the loss of leaves: – one leaf missing after fol. 56 (missing text 37: 22–38: 12); – one leaf missing after fol. 72 (missing text 51: 11–53: 4); – one leaf missing after fol. 88 (missing text 68: 1–13); – one leaf missing after fol. 107 (missing text 79: 16–80: 12); – one leaf missing after fol. 124 (missing text 96: 4–97: 6); – one leaf missing after fol. 143 (missing text 108: 21–109: 3). Missing leaves contained decorated initials at the beginning of psalms 38, 52, 68, 80, 97 and 109; the only surviving larger initial is at psalm 26 (see ‘Decoration’).
3. (fols. 184r–194v) Canticles, with spaces left for titles; titles added in a post-medieval hand which also added psalm numbers and foliation: (1) Confitebor tibi domine (Isaiah 12) (‘Canticum isaie Prophete’); (2) Ego dixi (Isaiah 38: 10–21) (‘Canticum Ezechie’); (3) Exultauit cor meum (1 Samuel 2: 1–11) (‘Canticum Anne’); (4) Cantemus domino (Exodus 15: 1–20) (‘Canticum Moisi’); (5) Domine audiui (Habakkuk 3) (‘Canticum Habacuc’); (6) Audite celi (Deuteronomy 32: 1–44) (‘Canticum Moysi’).
4. (fols. 194v–203r) Canticles, prayers and creeds, some with titles added in a postmedieval hand: (1) Te deum laudamus (fol. 194v); (2) Benedicite omnia opera (‘Canticum trium Puerorum’) (fol. 196r); (3) Magnificat (‘Canticum B. M. V.’) (fol. 197r); (4) Benedictus dominus deus (‘Canticum Zacharie’) (fol. 197v); (5) Nunc dimittis (‘Canticum Simeonis’) (fol. 198v); (6) Gloria in excelsis (fol. 198v); (7) Pater noster (fol. 199r); (8) Apostles’ Creed (Credo in deum ... ) (fol. 199v); (9) Nicene Creed (Credo in unum deum ... ) (fol. 200r); (10) Athanasian Creed (Quicumque uult ... ) (‘Simbolum Sancti Athanasii’) (fol. 200v).
5. (fols. 203v–207v) Litany, including saints venerated in Tuscany and Florence: Romulus and Minias among the martyrs; Syrus, Geminianus, Zenobius, Cerbonius and Salvius among the confessors; and Reparata among the virgins. Followed by collects (fols. 206v–207v), the first using masculine grammatical forms: (1) Liberator animarum et mundi redemptor iesu christe domine deus ... ego peccator ... (2) Adoro te domine iesu christe in cruce ascendentem ... (3) Deus mitissime deus iuste inuisibilis patre ...
6. (fols. 208r–324v) Weekly office, imperfect at the beginning because of the loss of a leaf before fol. 208 (offsets of decoration on fol. 207v), with invitatoria, psalms, hymns, antiphons, versicles, responses and three readings (preceded by long rubrics) for each day of the week, with Benedicamus (fol. 319r) followed by variations for greater feasts.
7. (fol. 325r–v) Prologue of St John’s Gospel, 1–15 (‘di tuti i sancti || Initium sancti euangelii secundum iohannem’).
8. (fols. 325v–326r) Short prayer with rubric ‘Oratione facta per lo deuoto doctore sancto bernardo. la quale papa giohanni. xxoiio. decte di indulgentia adogni pesona per ogni uolta quaranta di . oratio.’, beginning ‘O Domina glorie. O regina letitie. Fons pietatis et misericordie ...’.

Form

codex

Support

parchment

Physical extent

328 leaves Leaves were trimmed in rebinding, occasionally causing the loss of decoration.

Hands

Gothic book hand, black ink.

Decoration

2-line blue initial on gold background, decorated with sprays of leaves and gold discs, at the beginning of psalm 26 (fol. 39r).

2-line alternating red and blue initials, decorated with contrasting purple or red penwork, at the beginnings of psalms and sections of psalm 118, canticles, litany, prayers and sections of the office.

1-line plain alternating red and blue initials at the beginnings of verses and periods (guide-letters often visible).

Rubrics in red ink.

Binding

16th century, Italian: thin wood boards; polished dark red leather of fine quality, gilt-tooled with lines, stamps, and Latin mottoes in capitals from Song of Songs 2.5, ‘Fulcite me floribus …’ (front) and 2.2, ‘Sicut lilium inter spinas …’ (back), each ending with monogrammed letters ‘[.S.] MAF . ND.’; gilt oval centrepieces, the one at the back painted with a chequered pattern (armorial?); gilt edges; spine with gilt lines and a single tool in each panel; two clasps, one strap surviving, of matching leather tooled with gilt lines. Rebacked, original spine re-laid, 20th century, Bodleian. 169–170 115 c. 45 (book closed).

Acquisition

Bodleian Library: bought in 1817 from Canonici’s nephew Giovanni Perissinotti. Earlier shelfmarks: ‘Bibl. Bodl. Liturgy. Miscell. xljx’ (upper pastedown) and ‘(49)’ (fol. i recto).

Provenance

Made in Italy for a Bridgettine house, possibly Il Paradiso (San Salvatore) outside Florence: Florentine saints on the litany.

‘Questo libro e del Abbate Colauacci ’ (the last two words erased), 17th or 18th century, fol. 12v. Possibly the hand which added foliation in ink, psalm numbers and the titles of canticles. The leaves containing psalm initials were removed after the foliation in ink was added.

Matteo Luigi Canonici of Venice (1727 – c. 1806) , but not from the libraries of Soranzo or Trevisan.

View full record in Medieval manuscripts in Oxford libraries

From Bodleian Archives & Manuscripts

This is an extract only. For more information, see the catalogue record in Bodleian Archives & Manuscripts.

Bodleian Archives & Manuscripts contains descriptions of the Bodleian Libraries’ archival collections, including post-1500 manuscripts. Some manuscripts with records in other catalogues are also described here as part of a description of a larger archive. Learn more.

Title

Bridgettine services for an Italian house

Shelfmark

MS. Canon. Liturg. 49

Summary

Bridgettine services for an Italian house, consisting of:

A Psalter with Canticles, Creeds, etc. (fol. 13)

Preceded by 'Ordo cantus & lecture Sororum ordinis Sancti Salvatoris in horis diurnis & nocturnis impermutabiliter observandus ... ex precepto ... sancte Brigide ... ' (fol. 1)

Followed by a Litany (fol. 203v), and a series of Lections, Antiphons, etc. (fol. 208), for the hour-services. Leaves are lost after fols. 12, 207

An Italian Rubric occurs on fol. 12v, and St. Reparata of Corsica is in the Calendar

The mother convent of Vatzstenen (Wastein) is mentioned on fol. 12. The binding is red leather with gold ornament, and the legends 'FVLCITE ME FLORIBVS STIPATE ME MALIS, QVIA. AMORE LANGVEO.' and 'SICVT LILIVM INTER SPINAS. SIC AMICA MEA. INTER FILIAS.', each followed by 'S.MF.ND.' (16th cent.?): with clasps.

Date

Written late in the 15th century in Italy

Language

Latin

Physical facet

On parchment, imperfect binding, see below

Physical extent

327 Leaves

Custodial history

'Questo libro e del Abbate Colauacci' (the last two words erased: 16th cent.).

View full record in Bodleian Archives & Manuscripts

Collection contents

Canonici Manuscripts

Canonici Liturgical

Bridgettine services for an Italian house

View full collection in Bodleian Archives & Manuscripts

See this item

Requesting

For information on how to request this item, see Medieval manuscripts in Oxford libraries.

Connections

People associated with this object

  • Abbate Colauacci
  • Canonici, Matteo Luigi, 1727-1805

View full record

See this itemFind out how to request this item

Not available online

Bodleian Libraries, University of Oxford

On this page

  • Overview
  • Description from Medieval manuscripts in Oxford libraries
  • Description from Bodleian Archives & Manuscripts
  • Collection contents
  • See this item
  • Connections
  • Accessibility
  • Privacy policy
  • Cookies
  • Terms of use
  • Contact

© Bodleian Libraries, University of Oxford 2025

  • Mellon Foundation
  • Bodleian Libraries, Univertiy of Oxford
We use cookies to help give you the best experience on our website. By continuing without changing your cookie settings, we assume you agree to this. Please read our cookie policy to find out more. Cookie Policy