Works sent for comments 1

Title

Works sent for comments 1

Shelfmark

MS. Tyson 163

Summary

John Emerson: 'Materials for Mozart research: an inventory of the Mozart Nachlass of Alfred Einstein', 1963.

Winton Dean: 'The true 'Carmen'?, [1965].

Grosvenor Cooper: 'Beethoven's use of contrast', 1967.

Georg von Dadelsen: 'Editionsrichtlinien musikalischer Denkmäler und Gesamtausgaben', 1967 (published, 1969).

Nina Judenič: 'Beethoven und die Volksmusik: dargestellt an seinen Streichquartetten', 1970.

Richard Sherr, 'Beethoven to Adolf Martin Schlesinger: a solution to an enigma, [1970].

William Drabkin, 'Towards a catalog of the Beethoven sketches in Paris Bibliothèque Nationale, Dépt. de Musique', 1971.

Daniel N. Leeson and David Whitwell, 'Concerning Mozart's Serenade in B flat for thirteen instruments, K. 370a (361)', [1976/1977].

Charles Timbrell, 'The sources of Beethoven's Opus 111 as an argument against "uniform editorial procedure"', [1977].

Isabelle Putnam Emerson, 'The "new" Mozart work [K. 443]', 1978.

William Kinderman, 'Beethoven's Diabelli variations, op. 120: a prospectus', 1978.

Neal Zaslaw, 'Concerning Mozart's "Paris" symphonies', [1978].

Sieghard Brandenburg, William Drabkin and Douglas Johnson, 'On Beethoven scholars and Beethoven's sketches'; German and English versions, published in 19th-Century Music (1979).

Daniel Leeson and Neal Zaslaw, English translation of an introduction to Work group 17, vol. 2 of Neue Mozart-Ausgabe, 1979.

Essays on Beethoven sketches by various students, probably at Berkeley, [1979].

Date

1963-1979

Language

English

Physical extent

1 box