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Portable Secular Psalter with Antiphons; Italy, North-East, 15th century, third quarter

MS. Canon. Liturg. 158

Bodleian Libraries, University of Oxford

Details

This item is described in 2 online catalogues.?

For the main catalogue entry, see: Medieval manuscripts in Oxford libraries

Other descriptions: Bodleian Archives & Manuscripts

Description

From Medieval manuscripts in Oxford libraries

This is an extract only. For more information, see the catalogue record in Medieval manuscripts in Oxford libraries.

Medieval manuscripts in Oxford libraries contains descriptions of all known Western medieval manuscripts held in the Bodleian Libraries, and of medieval manuscripts in selected Oxford colleges. Learn more.

Title

Portable Secular Psalter with Antiphons; Italy, North-East, 15th century, third quarter

Shelfmark

MS. Canon. Liturg. 158

Associated place

Italian

Place of origin

Italian, North-east

Date

15th century, third quarter

Language

Latin

Contents

Psalter
1. (fols. 1r–141v) Psalms 1–150, in the biblical order, written as prose, without numbers, with rubrics ‘psalmus dauid’ or ‘psalmus’. Subdivisions within psalms are not indicated, apart from psalm 118, subdivided into twenty-two 8-verse units. Punctuated throughout, with punctus used to mark metrum, and occasionally minor pauses and the ends of verses. Psalms are accompanied by antiphons, versicles, responses, invitatoria, opening words of chapters and hymns, etc., with rubrics referring to secular use. Full or nearly full texts of hymns appear as follows: – Nocte surgentes uigilemus (Chevalier, no. 12035) (fol. 1 r) preceding psalm 1; – Ecce iam noctis tenuatur umbra (Chevalier, no. 5129) (fol. 17r) after psalm 20; – Lvcis creator optime (Chevalier, no. 17328) (fol. 110r) after psalm 113; – Iam lucis orto sydere (Chevalier, no. 9272) (fol. 111v) after psalm 116; – Nunc sancte nobis spiritus (Chevalier, no. 12586) (fol. 115r) after psalm 118: 25; – Rector potens (Chevalier, no. 17061) (fol. 117v) after psalm 118: 73; – Rerum tenax uigor (Chevalier, no. 17328) (fol. 120r) after psalm 118: 121; – O lux beata trinitas (Chevalier, no. 13150) (fol. 140r) after psalm 147. There are textual divisions at psalms 26, 38, 52, 68, 80, 97 and 109 (see ‘Decoration’).
2. (fols. 141v–149v) Weekly canticles, with titles: (1) Confitebor tibi domine (Isaiah 12) (‘canticum’); (2) Ego dixi (Isaiah 38: 10–21) (‘psalmus dauit’); (3) Exultauit cor meum (1 Samuel 2: 1–11) (‘psalmus dauid’); (4) Cantemus domino (Exodus 15: 1–20) (‘psalmus’); (5) Domine audiui (Habakkuk 3) (‘Canticum psalmorum’); (6) Audite celi (Deuteronomy 32: 1–44) (‘psalmus dauid’).
3. (fols. 149v–155v) Daily canticles, prayers and creeds, with titles: (1) Benedicite omnia opera (‘psalmus dauit’) (fol. 149v); (2) Benedictus dominus deus (‘psalmus’) (fol. 150v); (3) Magnificat (‘psalmus dauid’) (fol. 151r); (4) Nunc dimittis (‘psalmus’) (fol. 151v); (5) Te deum laudamus (‘ymnum’) (fol. 151v); (6) Athanasian Creed (Quicumque uult ... ) (‘psalmus’) (fol. 152v); (7) Pater noster (‘oratio dominica’) (fol. 154v); (8) Apostles’ Creed (Credo in deum ... ) (fol. 155r) with the names of apostles inserted between lines, with a rubric ‘Articuli fidei sunt duodecim’.
4. (fols. 155v–159v) Litany, including Vitalis (of Ravenna (?)) and Apollinaris (of Ravenna (?)) among the martyrs; Leonard (of Brescia (?)), Dominic and Francis among the confessors; Antonia (of Aquila, or of Brescia (?)) and Anthia among the virgins. Followed by collects with rubrics ‘oratio’ (fol. 159r–v): (1) Clamantes ad te deus dignanter exaudi ... (2) Liberator animarum mundi redemptor ... (3) Suscipere digneris domine deus hos psalmos ... The last two prayers use feminine grammatical forms, e.g. ‘supplico ego misera’, ‘famula tua’ (fol. 159r), ‘indigna famula tua’ (fol. 159v). Fol. 160 is ruled but blank, apart from modern notes; fols. 161–163 are paper fly-leaves, blank apart from modern notes.

Form

codex

Support

parchment; paper fly-leaves

Physical extent

166 leaves

Hands

Formal Gothic book hand, black ink, smaller script used for antiphons, etc.

Decoration

fol. 1r Psalm 1 (initial B(eatus)) 9-line initial, decorated with foliage, on gold background, infilled with half-figure of King David playing psaltery.

(full border) Rectangular border, outlined in gold, decorated with filigree scrolls, flowers, foliage and gold discs; medallion with a dove in rays of light in the right margin. In the lower margin two winged putti support a laurel wreath with an overpainted coat of arms.

One 9-line (psalm 109, fol. 107r) and six 8-line initials, decorated with foliage, on gold background, with sprays of filigree scrolls, foliage, flowers and gold discs extending into margins, at liturgical divisions at psalms 26 (fol. 21v), 38 (fol. 34v), 52 (fol. 47r), 68 (fol. 60r), 80 (fol. 76r) and 97 (fol. 91r).

Borders: see above.

2-line alternating red and blue initials, decorated with contrasting purple or red penwork, at the beginnings of psalms, canticles, prayers, litany and hymns.

1-line alternating plain red and blue initials at the beginnings of verses and periods.

rubrics in red ink

Guide-letters are often visible.

Binding

18th century, middle (by 1751), Italian: pasteboards; polished, hard, near-black leather, heavily grained (like shagreen?), plain except for blind triple lines around edges of covers; two fine fore-edge clasps, comprising straps of the same leather with scallop-shaped tips and loops of dark metal which fit onto pins at edges of lower cover; paste-downs of marbled paper; flyleaves of thick white laid paper, with an ex dono inscription dated 1762 (fol. iiir) and the date ‘1751’ at end (fol. 161v, cf. 160v). 160–161 116–117 c. 35–36 (book closed). Identical clasps are at MS. Canon. Liturg. 291, but with different binding style.

Acquisition

Bodleian Library: bought in 1817 from Canonici’s nephew Giovanni Perissinotti. Earlier shelfmarks: ‘73’ (fol. i recto); ‘E codd. Bodl. Miscell. Liturg. 158.’ (fol. iii verso).

Provenance

Made in the north-east of Italy, perhaps in Ravenna or Brescia: evidence of the litany. Written for a woman: feminine grammatical forms in prayers on fol. 159r–v. Shield of arms, painted over, on fol. 1r.

‘Ex dono f: [or J?] M: A: D: Danielis Adelardianno 1764’, fol. iii recto, possibly by Canonici.

‘1751’ written in ink on fols. 160v and 161v.

Matteo Luigi Canonici of Venice (1727–c. 1806) , but not from the libraries of Soranzo or Trevisan (Mitchell, 1969).

View full record in Medieval manuscripts in Oxford libraries

From Bodleian Archives & Manuscripts

This is an extract only. For more information, see the catalogue record in Bodleian Archives & Manuscripts.

Bodleian Archives & Manuscripts contains descriptions of the Bodleian Libraries’ archival collections, including post-1500 manuscripts. Some manuscripts with records in other catalogues are also described here as part of a description of a larger archive. Learn more.

Title

A Psalter written in Italy for a lady's use

Shelfmark

MS. Canon. Liturg. 158

Summary

A Psalter written in Italy for a lady's use, perhaps Dominican: with Canticles, Creeds, and (fol. 155) Litany.

Date

Written in the 15th century in Italy

Language

Latin

Physical facet

On parchment, with a small miniature, illuminated borders, etc., with clasps

Physical extent

163 Leaves

Custodial history

'Ex dono ... DanielisAdelardi [?] anno 1764.'.

View full record in Bodleian Archives & Manuscripts

Collection contents

Canonici Manuscripts

Canonici Liturgical

A Psalter written in Italy for a lady's use

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Connections

People associated with this object

  • Canonici, Matteo Luigi, 1727-1805

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