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A collection of cantatas, motets etc. in score

MS. Tenbury 900

Bodleian Libraries, University of Oxford

Details

This item is described in 1 online catalogue.?

For the main catalogue entry, see: Bodleian Archives & Manuscripts

Description

From Bodleian Archives & Manuscripts

This is an extract only. For more information, see the catalogue record in Bodleian Archives & Manuscripts.

Bodleian Archives & Manuscripts contains descriptions of the Bodleian Libraries’ archival collections, including post-1500 manuscripts. Some manuscripts with records in other catalogues are also described here as part of a description of a larger archive. Learn more.

Title

A collection of cantatas, motets etc. in score

Shelfmark

MS. Tenbury 900

Summary

One item copied from a manuscript at Christ Church, Oxford (see p. 55). The last three items are in a different hand from the rest. Contents:

(p. 1) Crucifixus. Giacomo Carissimi

(p. 2) O nomen Jesu. Gian. Batt. Bassani

(p. 4) Selve, voi che le sperante. S. Rosa

(p. 4) Vado ben spesso. Rosa

(p. 5) Non nobis Domine. [William Byrd?]

(p. 6) Hodie Simon Petrus. G. Carissimi

(p. 10) Plorate filiae Israel from 'Jephte'. G. Carissimi

(p. 12) organ part to unidentified work

(p. 13) Ab oris torridis. Bonifacio Gratiani

(p. 14) Amanti che dite from 'I naviganti'. G. Carissimi

(p. 17) Deum de Deo. G. Carissimi

(p. 18) Chi dirà che nel. A. Stradella

(p. 20) Hinnulo qui cervorum. B. Gratiani

(p. 21) Di pianti e di sospir. L. Marenzio

(p. 22) Lamentatio Lectio prima, prima die – cantate in Sto Apollinaire di Roma. Anon.

(p. 28) Mortali che fate. Alessandro Vincenti

(p. 30) Extracts from Cantatas for a single voice. Alessandro Scarlatti

(p. 44) Duo Seraphin clamabant. G. B. Bassani

(p. 48) Si dia bando. G. Carissimi

(p. 50) Bel tempo per me. G. Carissimi

(p. 54) Sin ch'haurò spiritu. G. Carissimi

(p. 56) Sopra un'eccelsa. A. Stradella

(p. 66) O amantissime Domine. Anon.

(p. 68) Vaghe stelle ('Erismena'). Cavalli

(p. 69) Figli del mio cor. A. Stradella

(p. 75) Dia sono amabile. Severo di Luca

(p. 76) Ben vol sanarla. Domenico Mazzochi

(p. 77) Thy rebuke hath broken. G. F. Handel

(p. 79) Dolce amor. Cavalli

(p. 80) Voi colpite alla mia morte. Cesti

(p. 82) Due begl' occhi. Cesti

(p. 83) Crine vezzosi. A. Caldara

(p. 84) Chi havesse visto un core. A. Stradella

(p. 86) Lusingami speranza. A. Caldara

(p. 88) Begl' occhi. A. Caldara

(p. 90) Se versasti da tuoi lumi. Caldara

(p. 91) Biondi crini che stringete. A. Caldara [in fact from 'La caduta del regno dell'Amazzoni' by B. Pasquini]

(p. 92) Non dar piú pene. A. Caldara

(p. 93) Questa destra. A. Caldara

(p. 94) Che non mi disse. Pergolesi

(p. 98) Veni O mia cara. Severo di Luca

(p. 99) Voglio amar. A. Scarlatti

(p. 100) Son ferito. A. Scarlatti

(p. 106) Clori son fido amante. A. Stradella

(p. 118) Bow thine ear. William Byrd

(p. 124) Deposuit potentes. G. P. da Palestrina

Date

late 18th cent.

Language

Latin

Physical extent

1 volume

Custodial history

The manuscript formerly belonged to Joseph Gwilt and J. Malchair ('Bt. at Malchair's sale'—flyleaf). Ouseley acquired it in 1858.

View full record in Bodleian Archives & Manuscripts

Collection contents

Music manuscripts from the Library of St Michael's College, Tenbury Wells

A collection of cantatas, motets etc. in score

View full collection in Bodleian Archives & Manuscripts

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