Bodleian Library
Univertiy of Oxford Manuscripts and Archives at Oxford University
  • Home
  • About
  • Help

Help with advanced searching

Portable Monastic Psalter with Antiphons; Italy, Venice, 15th century, third quarter

MS. Canon. Liturg. 20

Bodleian Libraries, University of Oxford

Details

This item is described in 2 online catalogues.?

For the main catalogue entry, see: Medieval manuscripts in Oxford libraries

Other descriptions: Bodleian Archives & Manuscripts

Description

From Medieval manuscripts in Oxford libraries

This is an extract only. For more information, see the catalogue record in Medieval manuscripts in Oxford libraries.

Medieval manuscripts in Oxford libraries contains descriptions of all known Western medieval manuscripts held in the Bodleian Libraries, and of medieval manuscripts in selected Oxford colleges. Learn more.

Title

Portable Monastic Psalter with Antiphons; Italy, Venice, 15th century, third quarter

Shelfmark

MS. Canon. Liturg. 20

Associated place

Venice

Italian

Place of origin

Italian, Venice

Date

15th century, third quarter

Language

Latin

Contents

Portable monastic psalter with antiphons
1. (fols. 1r–6v) Calendar, written in red and black, laid out one month per page, graded to 12 lessons and ‘duplex maius’. Includes the feast of Servulus, martyr (24 May), with octave, both ‘duplex’ and in red, and ‘Dedicatio basilice sancti seruuli’ (23 November) in red, ‘duplex maius’. There are three feasts of St Mark (‘Sancti Marci euangeliste domini’, 25 April; ‘Apparitio sancti marci’, 25 June; and ‘translatio’, 31 January), all in red. Other Venetian feasts include Theodosia of Tyre (relics in Venice, 3 April) and Isidore, martyr (relics in Venice, 16 April), both in black, and the dedication of St Mark’s basilica (8 October) in red. The inclusion of the feast of Bernardino of Siena (d. 1444, canonized 1450), 20 May, shows that the psalter was written after the middle of the 15th century. Placidus is in red as ‘duplex maius’ (5 October). Fol. 7 is blank.
2. (fols. 8r–195r) Psalms 1–150 (‘Incipit ordo psalterii secundum consuetudinem sancti benedicti patris nostri’), Roman version, in the biblical order, laid out as prose with titles ‘psalmus’ or ‘psalmus dauid’. The titles of psalms 1–28 are followed by numbers, in Roman or Arabic numerals, or spelled out as words, in the original hand. Punctuated throughout with punctus elevatus or punctus used to mark metrum, minor pauses and the ends of verses. The psalms are accompanied by antiphons, versicles, responses, hymns, prayers and chapters with rubrics referring to the monastic use. There are textual divisions at psalms 1, 20, 26, 32, 38, 45, 52, 59, 68, 73, 79, 85, 95, 101, 105, 109 (see ‘Decoration’).
3. (fol. 195r–v) Prayers to be said before and after the recitation of psalms with rubrics ‘oratio’: (1) Domine deus omnipotens per intercessionem beate semper uirginis marie ... (2) Concede mihi domine ihesu christe per tuam dulcissimam misericordiam ...
4. (fols. 195v–198r) Athanasian Creed (Quicumque uult ... ), without a rubric; prayer ‘Omnipotens sempiterne deus qui dedisti famulis tuis ...’.
5. (fols. 198r–201v) Collects for Sundays after Pentecost with rubrics: (1) Deus in te sperantium deus fortitudo adesto propitius inuocationibus nostris ... (2) Sancti nominis tui domine timorem pariter et amorem fac nos habere perpetuum ... (3) Deprecationem nostram quesumus domine benignus exaudi ... (4) Protector in te sperantium deus sine quo nichil est ualidum ... (5) Da nobis quesumus domine ut et mundi cursus pacifice nobis tuo ordine dirigatur ... (6) Deus qui diligentibus te bona inuisibilia preparasti infussde cordibus nostris tui amoris ... (7) Deus uirtutum cuius est totum quod est optimum insere pectoribus nostris ... (8) Deus cuius providentia in sui dispositione non fallitur ... (9) Largire nobis domine quesumus semper spiritum cogitandi que recta sunt ... (10) Pateant aures misericordie tue domine precibus supplicantium ... (11) Deus qui omnipotentiam tuam parcendo maxime et miserando manifestas ... (12) Omnipotens sempiterne deus qui abundantia pietatis tue et merita supplicum excedis et uota ... (13) Omnipotens et misericors deus de cuius munere uenit ut tibi a fidelibus tuis digne et laudabiliter seruiatur ... (14) Omnipotens sempiterne deus da nobis fidei spei et caritatis augumentum [sic] ... (15) Custodi domine quesumus ecclesiam tuam propitiatione perpetua ... (16) Ecclesiam tuam domine miseratio continuata mundet et muniat ... (17) Tua nos domine quesumus gratia semper preueniat ... (18) Da quesumus domine populo tuo dyabolica uitare contagia ... (19) Dirigat corda nostra quesumus domine tue miserationis operatio ... (20) Omnipotens et misericors deus uniuersa nobis aduersantia propitiatus exclude ... (21) Largire quesumus domine fidelibus tuis indulgentiam placatus et pacem ... (22) Familiam tuam quesumus domine continua pietate custodi ... (23) Deus refugium nostrum et uirtus adesto piis ecclesie tue precibus ... (24) Excita domine quesumus tuorum fidelium uoluntates ut diuini operis fructum ...
6. (fols. 201v–208r) Responses, versicles and Magnificat antiphons for Sundays after Pentecost with rubrics.
7. (fols. 208r–209r) Responses and Magnificat antiphons from Septuagesima to the first Sunday in Lent with rubrics.
8. (fols. 209r–211v) Commemorations for the Common of Saints with rubrics.
9. (fols. 211v–213v) Collects for Sundays from the Epiphany to Lent with rubrics: (1) Uota quesumus domine suplicantis populi celesti pietate prosequere ... (2) Omnipotens sempiterne deus qui celestia simul et terrena moderaris ... (3) Omnipotens sempiterne deus infirmitatem nostram propitius respice ... (4) Deus qui nos tantis periculis constitutos pro humana scis fragilitate non posse ... (5) Familiam tuam quesumus domine continua pietate custodi ut qui in sola spe gratie celestis ... (6) Preces populi tui quesumus domine clementer exaudi ut qui iuste pro peccatis nostris affligimur ... (7) Deus qui conspicis qui ex nulla nostra actione confidimus concede propitius ... (8) Preces nostras quesumus domine clementer exaudi atque a peccatorum uinculis absolutos ... Collects for Sext, None and Prime on Sundays, feast days and weekdays: (1) Conserua quesumus domine populum tuum et quem salutaribus presidiis ... (2) Conserua quesumus domine tuorum corda fidelium et gratie tue uirtute corrobora ... (3) In hac hora huius diei tua nos quaesumus domine repleat misericordia ut per totum diem ... (4) Domine deus omnipotens qui ad principium huius diei nos peruenire fecisti ...
10. (fol. 213v) Two short readings, to be read from Quadragesima to Easter, and from Easter to Pentecost: ‘Quaerite dominum deum inueniri potest invocate eum dum prope est ...’ (Isaiah 55: 6) and ‘Si consurrexistis cum christo que sursum sunt querite ubi christus est ...’ (Colossians 3: 1–2).
11. (fols. 213v–216r) Office for Matins on Monday.
12. (fols. 216r–221r) Litany of the Virgin, followed by collects with rubrics ‘oratio’ (fols. 219r–221r): (1) Dimitte domine peccata nostra et tribue nobis misericordiam tuam quam precamur ut humilitatem nostrum attendas ... (2) Domina mea regina sancta dei genitrix uirgo gloriosa mater domini mei yesu christi rogo te ... (3) Anima christi sanctifica me. Corpus christi salua me. Sanguis christi inebria me ...
13. (fols. 221r–222v) Prayers for the forgiveness of sins, with a rubric ‘Orationes magne indulgentie de peccatis’, and to St Ursula and the Eleven Thousand Virgins, the first three followed by a rubric ‘Pater noster cum aue maria’: (1) Domine yesu christe rogo te pro nobili humanitate tua in cruce mortua ... (2) Domine iesu christe saluator et rector totius mundi. Rogo tepro illud gaudium ... (3) Domine iesu christe rogo te per illud gaudium quod tua dilecta maria magdalena ... (4) O dulcissime domine yesu christe fili dei uiui inclinare digneris aurem tuam ad preces meas ... (5) Deus qui nos anima sanctorum uirginum tuarum tribue quesumus ...

Form

codex

Support

parchment; paper fly-leaves

Physical extent

232 leaves Leaves were trimmed in rebinding causing the loss of decoration.

Hands

Formal Gothic book hand; black and brown ink.

Decoration

Red and blue KL monograms in the calendar.

Historiated initials on gold background, decorated with acanthus leaves and borders, in rectangular frames, outlined in gold, black and blue, with sprays of flowers, leaves and gold discs, at textual divisions. The initials for psalms 1 and 109 are eight and seven lines high; the initial for psalm 32 is four lines high; other initials are six lines high. There is no border at psalm 109. fol. 8r Psalm 1 (initial B(eatus)), Half-figure of King David playing psaltery. (full border) Medallions and panels, outlined in gold, with IHS monogram in rays of light, doe couchant, half-figure of Mary Magdalene, holding a vessel, and half-figure of St Jerome, beating his chest with a stone. fol. 27v, Psalm 20 (initial D(omine)), Christ surrounded by rays of light, with finger raised, holding a cross-staff. (full border) Laurel wreath, flanked by two rosettes, in the lower margin, containing half-figure of St Peter, holding keys; initials ‘S[anctus]’ and ‘P[etrus]’ on either side. fol. 33v, Psalm 26 (initial D(ominus)), Half-figure of a young man pointing to his eyes. (full border) Laurel wreath, flanked by two rosettes, is in the lower margin, containing half-figure of St Paul, holding a sword and a book, looking up at rays of light. fol. 41r, Psalm 32 (initial G(audete)), Coronation of the Virgin. (full border) Laurel wreath, flanked by two rosettes, is in the lower margin, containing half-figure of Christ (?) carrying the Cross. fol. 50r, Psalm 38 (initial D(ixi)), Half-figure of King David pointing to his eyes. (full border) Laurel wreath, flanked by two rosettes, in the lower margin, containing IHS monogram in rays of light. fol. 60v, Psalm 45 (initial D(eus)), White arabesque designs on blue background. (full border) Laurel wreath, flanked by two rosettes, in the lower margin, containing IHS monogram in rays of light. fol. 67r, Psalm 52 (initial D(ixit)), Half-figure of winged armoured St Michael, holding a sword and scales. (full border) A man in short tunic and cloak, holding a sceptre (?), in right margin; laurel wreath with half-figure of St Sebastian. In the lower margin: ‘coprite (?) q’ et f’ce qualche gentileza’. fol. 75v, Psalm 59 (initial D(eus)), Baptism of Christ with three nimbed attendants. (full border) Laurel wreath, flanked by two rosettes, in the lower margin, with doe couchant. fol. 84r, Psalm 68 (initial S(aluum)), Half-figure of nude King David, praying in waters. (full border) Laurel wreath in the lower margin with half-figure of St James (?) with a pilgrim’s (?) staff, looking up at rays of light. fol. 93v, Psalm 73 (initial U(t)), Coronation of the Virgin. (full border) Laurel wreath, flanked by two rosettes, in the lower margin, with doe couchant behind a wattle fence. fol. 103v, Psalm 79 (initial Q(ui)), Christ holding a lamb over his shoulders. (full border) Laurel wreath in the lower margin with half-figure of John the Evangelist, holding a cross and a book. fol. 111v, Psalm 85 (initial I(nclina)), Two rosettes. (full border) Laurel wreath in the lower margin with half-figure of St Sebastian. fol. 152r, Psalm 109 (initial D(ixit)), Half-figure of Christ, holding an orb and blessing.

Borders: see above.

4- to 6-line initials on gold background, decorated with acanthus leaves, floral and arabesque designs, with sprays of flowers, leaves and gold discs extending into margins, at the beginnings of psalms 95 (fol. 123r), 101 (fol. 130v) and 105 (fol. 138v).

2- to 3-line red and blue initials, most with contrasting purple and red penwork extending into margins, at the beginnings of psalms, hymns, chapters and prayers.

The letter following the initial is usually a capital, decorated with black penwork and highlighted with yellow wash. 4-line blue initial with red penwork at the beginning of a hymn after psalm 19.

1-line plain alternating red and blue initials at the beginnings of verses and periods.

Rubrics in red ink; blue paragraph marks.

Binding

18th century, Italian: thin wood boards; grainy black leather, decorated on each cover with blind and gilt lines to form a blank central panel, its corners marked with a small gilt floral tool; spine with gilt lines and a gilt red-leather label; no clasps; marbled endleaves. Not a standard Canonici style, apart from the spine-label and endleaves. 125–127 92–93 c. 47 (book closed).

(Inherited from a previous binding, before 1516, Venice) gilt gauffered edges with dim outlines of two broad straps; former endleaves (fols. iv-v, 223–4) with marks of broad brown-leather(?) turn-ins and an added inscription marking the Golden Number for 1516.

Acquisition

Bodleian Library: bought in 1817 from Canonici’s nephew Giovanni Perissinotti.

Provenance

Made for the Benedictine monastery of San Servolo, Venice: evidence of the calendar.

Added reference to the Golden Number on fol. v verso: ‘nel 1516. l’auro no occor ere .xvi.’, facing the calendar page for January, alongside the Golden Number ‘xvi’ at 8 January.

Matteo Luigi Canonici of Venice (1727–c. 1806) , but not from the libraries of Soranzo or Trevisan (Mitchell, 1969).

View full record in Medieval manuscripts in Oxford libraries

From Bodleian Archives & Manuscripts

This is an extract only. For more information, see the catalogue record in Bodleian Archives & Manuscripts.

Bodleian Archives & Manuscripts contains descriptions of the Bodleian Libraries’ archival collections, including post-1500 manuscripts. Some manuscripts with records in other catalogues are also described here as part of a description of a larger archive. Learn more.

Title

'...Ordo Psalterij secundum consuetudinem sancti Benedicti patris nostri'

Shelfmark

MS. Canon. Liturg. 20

Summary

'...Ordo Psalterij secundum consuetudinem sancti Benedicti patris nostri': including some hymns; preceded by a Calendar (fol. 1), and followed by collects, antiphons, etc. (fol. 198) and a Litany of the Virgin, etc. (fol. 216): imperfect at end.

The Calendar points clearly to Trieste (May 24, St. Servulus in red, with octave: Nov. 23, 'Dedicatio basilice S. Servuli').

Date

Written late in the 15th century at Trieste (?)

Language

Latin

Physical facet

On parchment, illuminated borders, with miniatures

Physical extent

226 Leaves

View full record in Bodleian Archives & Manuscripts

Collection contents

Canonici Manuscripts

Canonici Liturgical

'...Ordo Psalterij secundum consuetudinem sancti Benedicti patris nostri'

View full collection in Bodleian Archives & Manuscripts

See this item

Requesting

For information on how to request this item, see Medieval manuscripts in Oxford libraries.

Viewing

This item is available to view online:

  • Digital Bodleian (1 image from 35mm slides)

Connections

People associated with this object

  • Canonici, Matteo Luigi, 1727-1805

  • Maestro dell' Ovidio de Rimini, active in Venice, c. 1469-1500

View full record

See this itemFind out how to request this item

View online
Bodleian Libraries, University of Oxford

On this page

  • Overview
  • Description from Medieval manuscripts in Oxford libraries
  • Description from Bodleian Archives & Manuscripts
  • Collection contents
  • See this item
  • Connections
  • Accessibility
  • Privacy policy
  • Cookies
  • Terms of use
  • Contact

© Bodleian Libraries, University of Oxford 2025

  • Mellon Foundation
  • Bodleian Libraries, Univertiy of Oxford
We use cookies to help give you the best experience on our website. By continuing without changing your cookie settings, we assume you agree to this. Please read our cookie policy to find out more. Cookie Policy