Sacred and secular music by various composers
MSS. Tenbury 986-992
Bodleian Libraries, University of Oxford
Description
From Bodleian Archives & Manuscripts
This is an extract only. For more information, see the catalogue record in Bodleian Archives & Manuscripts.
Bodleian Archives & Manuscripts contains descriptions of the Bodleian Libraries’ archival collections, including post-1500 manuscripts. Some manuscripts with records in other catalogues are also described here as part of a description of a larger archive. Learn more.
Title
Sacred and secular music by various composers
Shelfmark
MSS. Tenbury 986-992
Summary
MS. Tenbury 986: See the shadows. Glee. F. J. Archer, 1863
MS. Tenbury 987: The glow-worm. Part-song. H. S. Oakeley, c 1875
MS. Tenbury 988: Love's souvenir. Song with orchestral accompaniment. R. Hacking, c 1870. In the composer's hand. Full score
MS. Tenbury 989: Ode to Charity, composed for the Choral Fund (1798). Samuel Arnold, c 1800. On fol. 66v (upside-down) are three variations from Bach's Solo violin chaconne. Full score
MS. Tenbury 990: Sanctus in C, for 5 voices. Soper, mid-18th cent.
MS. Tenbury 991: O praise the Lord, for 2 voices and a trumpet. John Weldon, early 18th cent. Also includes John Walsh editions of Pergolesi's 'Domine ad adjuvandum', Mass (Kyrie and Gloria) and 'Stabat Mater'. Full score
MS. Tenbury 992: The Lord is the true God. Sacred cantata composed for the degree of B. Mus. at Christ Church, Oxford. F. A. G. Ouseley, 1850. In the composer's hand. Full score
Date
early 18th cent. - mid-18th cent.
Language
English
Physical extent
1 volume
View full record in Bodleian Archives & Manuscripts
Collection contents
Music manuscripts from the Library of St Michael's College, Tenbury Wells
Sacred and secular music by various composers
